Thursday, March 2, 2017
Color Notes
1. Before introducing any color in an image, what two
properties of color should I consider?
Value, saturation, if it will be printed and on what
2. What proportion of the population is color-blind?
8%
3. Who are the most likely color-blind people? And how would you adapt your color palettes
for that audience?
Men, by applying a color palette that can be seen clearly by
anyone regardless of their type of color blind/making sure there are clear
value differences
4. What do we mean when we say colors have a value?
A color’s value is in regards to how much black and white is
affecting a hue
5. What do we mean by an "additive" and a
"subtractive" color system?
Subtractive is mixing pigments (CMY/print) whereas additive
is mixing light (RGB/screens)
6. What allows us to make sense of the sight of edges,
textures, colors, motion -- the eye or the brain?
The brain, the eye just conveys signals
7. What is a split complementary palette?
First you start with a complimentary color then add the analogous
color too one of the original two colors
8. We talk about warm/cool color harmonies, with reds being
the "warms" and blues being the "cool" colors. In the real world, is red really warmer than
blue?
Colors don’t have inate temperature. Blue fames are hotter
than red flames but we consider blue a cool color
9. What is the most unusual color triad in nature: primaries or secondaries? How can you take advantage of that in your
art?
Secondary colors
10. If you take a pure color and add white, what is
called? If you take a pure color and add
black, what is it called?
Tint/shade
11. True/False: the human eye sees in RGB.
true
12. What does "moody eye candy fix" stand for?
Mood, decoration, Focalizing, Identification, Connecting,
Symbolism
13. What is a "local color" approach, and why is
it often the dumbest choice an illustrator makes?
Using realistic/traditional/expected colors for things. Bad
choice because cameras can do a much better job 100% of the time
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